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What did you tell them that you wanted to do?I said what I’d like to do is recreate some of the chains of analog and digital processing that I use, and I'd like to try to recreate them as closely as possible, and that's how it all started with the Signature Series. It required them to engineer basically a sum of things behind the GUI that included reverb and parallel compression and various EQ's going in different directions and automatable things. If you've seen my plug-ins they have modes for different vocal sounds for different performance, and then modes for different kinds of basses or types of acoustic guitars—sizes of guitars.

We made the acoustic guitar plug-in so that it has a setting for a D-size dreadnaught guitar and one setting for a smaller one, settings for different grades of strings and things like that. I was always trying to create ways of compensating for those things and in the same way that I do with my chains. That's really what I tried to accomplish and it took us eight months to do that.That’s a lot of work.It was a long process. And they were just starting out at that point with the Signature Series concept.Was yours the first Signature Series?It was.

Tony Maserati is a Grammy Award winning record producer and audio engineer. He lead the development of the New York R&B and hip-hop scene in the 1990s, shaping the sound for Mary J. Blige, Notorious B.I.G. And Puff Daddy.

Mine was the first release and they used that format all across the Signature Series line. That sort of summed network behind the GUI is happening in all the Signature Series bundles, and we created that together.

There was a lot of trial and error in the process of developing it. I would send them audio samples and the exact settings of the equipment I was using. I would do a Q-Clone through the equipment so that they could actually see the waveform. They would then send it back to me, after their tests and suggest some options.

It was a long process and was very, very collaborative. It was great and I love it. I'm really happy about it, and there's actually a new thing that I'm interested in creating with them as well, and we'll see if that's going to come into fruition.Thanks, Tony!You’re welcome!